Why are art museums intimidating ben unwin dating

Please do not climb, poke, lick, draw on, or drape yourself around the objects. ’ In museums and galleries around the globe, attendants and curators face a daily battle to protect their collections and displays from the wandering hands – and other body parts – of visitors.

While trying to keep galleries accessible, friendly and interesting, we also have an imperative to protect and preserve.

I went to the open studios for the Mid City Artists, in the Dupont, Logan, and U Street area, last year, and found everyone to be very friendly and not at all haughty. And yes, they are potentially interested in selling something, though I never encountered any pressure.

In fact, according to Sondra Arkin, a founder of Mid City Artists (and a neighbor), many of the artists who participate feel it as a much a way to spread the word about the fact that living people make art in living spaces than purely as a commercial effort (though, still, they would be happy for some sales, too).

There are horror stories shared discreetly between museum professionals, of bad behaviour in public galleries.

Surrounded by rare, valuable and historically important objects, a minority of visitors either don’t realise or don’t care that grabbing/running/littering/yelling compromises the heritage, narrative and safety of those objects, to say nothing of spoiling other visitors’ cultural experience. For many, museums and galleries take on an intimidating aura as a result.

A few minutes of pre-planning will allow you to engage with the work on a much deeper level.

Polite notices exhorting people to follow the rules are often ignored, like a mild-mannered but ineffectual schoolteacher. Many of us will recall our childhood museum visits, being told to ‘ssh! This has implications for accessibility, as people from less privileged backgrounds (for whom museum visiting is statistically uncommon) are discouraged in part by the air of forbidding seriousness.

Perhaps the museum world needs to take itself less seriously.

Open studios are also a chance to better understand art in a non-judgmental environment.

Talking to local artists about their work is a great way to make art more approachable.

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As with most things in life—whether it’s mountain-climbing, skiing, sailing, gardening, or what have you—the to do something, well, believe it, you’re already more than half-way there.

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